1940. Watercolour on paper 35cm by 52 cm, signed N. W. Cayley. Contemporary frame in a modern mount. Neville William Cayley (1887-1950), son of the bird artist Neville Henry Pennington Cayley, dominated early twentieth century ornithology in Australia. If there is one bird book the average Australian can name it...
1940. Watercolour on paper 35cm by 52 cm, signed N. W. Cayley. Contemporary frame in a modern mount. Neville William Cayley (1887-1950), son of the bird artist Neville Henry Pennington Cayley, dominated early twentieth century ornithology in Australia. If there is one bird book the average Australian can name it...
1940. Watercolour on paper 35cm by 52 cm, signed N. W. Cayley. Contemporary frame in a modern mount. Neville William Cayley (1887-1950), son of the bird artist Neville Henry Pennington Cayley, dominated early twentieth century ornithology in Australia. If there is one bird book the average Australian can name it...
[1986]. Pastel, 38 cm by 44 cm, signed J N Davies, framed. Plate 19 from Lane Shorebirds of Australia 1987 featuring, Eastern Curlew Numenius madagascariensis, Little Curlew N. minutus and Whimbrel N. phaeopus.
1995. Watercolour 45cm by 57cm, signed Marsack '95. Plate seven from Rowley et al., Fairy Wrens and Grass wrens, 1997.
Watercolour and gouache on Arches paper, 620 x 1005mm, signed and dated by artist. The Glaucous Macaw became extinct in the late nineteenth century.
1999. Watercolour and gouache on Arches paper, 665 x 880mm, framed, signed and dated by artist. Last Record: Subfossil, Surviving to about 1500. Distribution: Subalpine and Alpine Habitats, South Island, New Zealand. The first Maori arrived in Aotearoa, the archipelago now called New Zealand, around 1200 and in the next...
[c1790]. Watercolour and ink on paper, 26 cm by 18 cm, [unsigned], framed. Sarah Stone (1760-1844) was employed by Sir Ashton Lever to record the contents of his private museum. The museum consisted of animal specimens and ethnographic material brought back by British expeditions to Australia, the Americas, Africa and...
c1790. Ink and watercolor drawing on wove paper, 26 cm by 36 cm inches sheet size; small chips to top corners, mat stain at edges, small edge tear repaired on verso. Contemporary inscription along the top edge. Sarah Stone (1760-1844) was employed by Sir Ashton Lever to record the contents...
1788. Watercolour and ink on paper, 32 cm by 22 cm, "Sarah Stone 1788" at base of image, framed. Sarah Stone (1760-1844) was employed by Sir Ashton Lever to record the contents of his private museum. The museum consisted of animal specimens and ethnographic material brought back by British expeditions...
