The watercolours and drawings of Thomas Bewick and his apprentices.
London: Gordon Fraser, 1981. Octavo, uncoloured plates. Publisher's cloth and slipcase, a fine set. More
London: Gordon Fraser, 1981. Octavo, uncoloured plates. Publisher's cloth and slipcase, a fine set. More
Ontario: Madison Press Books, (1981. first edition). Oblong format, colour and black and white plates, good copy in dustwrapper. More
Petaluma: Pomegranate, 2006. Quarto, colour illustrations, fine copy in dustwrapper. Originally published in 1981, The art of Robert Bateman was the first of many best-selling books by the internationally acclaimed wildlife artist and naturalist. In this twenty-fifth-anniversary edition, Bateman's exquisitely rendered paintings, accompanied by the artist's recollections and observations, are..... More
Ontario: Madison Press Books, (1981. first edition). Oblong format, colour plates, fine copy in dustwrapper (lightly sunned). More
London: Ward Lock Reprints, (1970. facsimile). Octavo, text illustrations, fine copy in dustwrapper. First published in 1790. "Such animals as I knew, I drew from memory on the wood; others which I did not know were copied from 'Dr Smellie's Abridgement of Buffon,' and other naturalists, and also from the..... More
London: The Fine Art Society, 1881. Quarto, 32 illustrations from original wood blocks. Publisher's leather-grained cloth, all edges coloured, a few spots throughout, otherwise a very good copy. More
New York: Oxford University Press, 1956. Octavo, lacks dustwrapper. More
London: Charles Skilton, 1958. Quarto, seven tipped-in colour plates, other plates. Publisher's cloth with gilt title andcolour cover plate inset, glassine wrapper, a fine copy. More
Canberra: National Gallery of Australia, 2007. Quarto, colour illustrations, fine copy in dustwrapper. Published to accompany the National Gallery of Australia's exhibition, The Story of Australian Printmaking 1801-2005. Roger Butler is the senior curator of Australian prints and drawings at the National Gallery of Australia. The first volume is a...... More
Auckland: Reed Methuen, 1986. Folio, illustrations, fine copy in a fine dustwrapper. More
Melbourne: Lansdowne Editions, 1981. Small folio, colour plates, text illustrations. Publisher's full grey calf and Solander box, edition limited to 500 copies, numbered and signed by the artist, a fine copy. Raymond Harris-Ching is one of the great modern wildlife artists and Studies and Sketches is one of his best..... More
New York: Christie, Manson and Woods International Inc, 1993. Quarto, colour illustrations, publisher's cloth binding, very good. Auction catalogue. More
London: Country Life, 1975. Quarto, colour plates, photographs, signature, fine copy in dustwrapper. More
London: Clive Holloway Books, 1985. Quarto, colour plates, fine copy in dustwrapper. More
Toronto: Viking, 1985. Oblong format, colour plates, black and white photographs and illustrations, fine copy in dustwrapper. More
London: British Library, 1986. Quarto, colour plates, fine copy in dustwrapper. More
London: Michael Joseph, 1977. Octavo, illustrations, dustwrapper. More
Scarborough: Cerebrus Publishing, 1977. Small folio, colour plates, fine copy in dustwrapper. More
Uppsala: Bokförlaget Carmina, 1981. Octavo, oblong format, illustrations, laminated boards, slight wear. Text in Swedish. More
London: Oxford University Press, 1943. Octavo, text illustrations, bookplate, colour plates by Ennion. More
Cambridge: [Cambridge] University Press, 1903. Octavo, Publisher's cloth, library stamps and signature on title page. More
Wellington: Nova Pacifica, 1982. Small folio, colour plates, fine copy in dustwrapper. More
New York: Harry N. Abrams, 1999. Quarto, 200 colour plates, other illustrations, fine copy in dustwrapper. Every aspect of the Great Auk's natural - and unnatural - history is covered, with special chapters devoted to its life cycle and the years during which it dwindled to extinction. Other chapters concern..... More
London: Merrell Holberton, 1998. Quarto, 60 colour illustrations, fine copy in dustwrapper. Abbot's works were essential to the European understanding of early entomology in the eighteenth and early nineteenth centuries. His drawings are part of the collection of The Natural History Museum in London. More